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"Quotation and Employment of Religious Heritage in Al-Warraq’s Poetry (230 AH) An Analytical Study"
DOI:
https://doi.org/10.51930/jcois.2025.84.%25pKeywords:
: Quotation – , Utilization –, Religious HeritageAbstract
Mahmūd al-Warrāq, an Abbasid Poet (d. 230 AH), practiced papermaking and slave trading in his youth. He composed poetry on love and wine, but later adopted asceticism and piety. Consequently, his poetry became dominated by themes of asceticism, wisdom, and moral guidance, reflecting the influence of the Qurʾān, Ḥadīth, and religious heritage in terms of rhetoric, eloquence, and style. He employed quotation and incorporation in three forms—direct, transformative, and allusive—blending seamlessly with the cited text to reinforce and embellish his poetic ideas, both semantically and aesthetically. His poetry aimed to reform the audience and society, which had been affected by frivolity, heresy, and debauchery, thus impacting both semantic and artistic levels. Al-Warrāq’s work demonstrates his artistic skill and the breadth of his Islamic knowledge, which interwove with his poetic experience, achieving a balance between spiritual and literary dimensions. His poetry embodies spiritual, ethical, social, and narrative aspects.
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