Employment Of Color In The Poetry Of Mohammed Hussein Al Yasin

“Stylistic Study”

Abstract

This research attempts to study the patterns of color employment in the poetry of Mohammed Hussein Al Yasin according to the statistical stylistic study, which had a major role in revealing the poet's affiliation with the classical poem by employing a word that carried color as long as it was a prominent sign in the poetry of the ancients, and despite our adoption of the statistical stylistic study we did not neglect the context that nominated one color and not others in the selected examples of his poetry.

No two differ in that color is a necessary element in shaping the poetic image. The ancient Arab criticism noticed its importance and studied it under the term “composing”, and it received great attention from poets. That is, in addition to its aesthetic value, it possesses a great intellectual value represented in expressing symbolic and metaphorical values that facilitate the arrival of the meaning to its recipients.

The boundaries separating them became clear and less stable than the administrative borders of China, so the color in these poems became a symbolic language that went beyond the simple superficial employment to more profound connotations through the context that dictates to the poet the technique of choice and expression. This is what we are trying to monitor in the poetry of Mohammed Hussein Al Yasin, who was fully aware, like the old Arab critic, of the function of color and its impact on achieving the intellectual issues that he tries to raise and address in poetry.