Poetry Language Aesthetics in the Husseini Theatrical Text

Abstract

Rhythm forms a large area in the lexicon idiomatic of poetry. It presents, in its multi-forms and meanings, a key hub for building up and forming the essence of the poetic image of the text, as well as the presence of rhythm as (a sound) in many critiques on the poetry of the texts. Thus, the study of rhythm poetry in theatrical text is one of the most important techniques that form the poetry of the text. Its deep range is showed in the Husseini theatrical text in particular in addition to the unique characteristics of these texts in shaping special rhythmical forms for the theme of the text on one hand, and in showing the structured power of writing from another hand; so as to establish the impact and the influence of the text itself. The play of Mohammed Ali Al-Khafaji under the title: \"Al-Hussein Comes One More Time\" is one of so many texts that can be taken as an applicable sample to give us adequate results in regard to what this study is all about. It is highly emphasized the presence of rhythm as being a strong form in shaping poetry of text. It is from this point, the researcher chooses the theme of the study under the title: \"Poetry Aesthetics in the Husseini Theatrical Text\".